By ThinkInElectronic / Monday, March 17, 2014 / No comments /

In Conversation With Ben Lost on 'Exhibition V' and his return to Lost Language

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<span style="font-family: inherit;">It's a pretty rare turn of events, all things considered. Whatever it might be in life, when you go, you go. Leave. Done. Dusted.<br /><br />Every now and then though, that 'unfinished business' aspect starts to play a part. Such seems to be the case with Ben Lost, the former, and now once-again honcho/A&R of estimable label enterprise Lost Language and helm of its 'Exhibition' mix-series.<br /><br />There are additional factors in this of course… It's the label from which many believe he drew his name and 'Exhibition' - the label's primary mix-series – was something he conceived and first launched. On the eve of 'Exhibition's return, with its mightily impressive fifth edition, I sat down with Ben to hopefully debunk some myths, authenticate a few others and find out what's now what in the world of Ben Lost and Lost Language.<br /></span></div>
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<tr><td style="margin: 0px;" valign="centre" width="260px"><span style="font-family: inherit;"><img border="0" height="495" src="https://mail.google.com/mail/u/0/?ui=2&ik=dabaa24465&view=att&th=144b80d956216c9d&attid=0.2&disp=emb&zw&atsh=1" width="260" /></span></td><td style="margin: 0px; padding-left: 30px;"><span style="font-family: inherit;"><span style="color: #f1c232;">> So welcome, Ben! How are things in general with you at the moment?</span><br />Ben: Great! Several pans in the fire. Two radio shows, a band, a club and a record label, all keeping me very busy. My wife and I recently moved to the Shropshire countryside with our six month old son. Salopian family life is beautiful. Everything stems from that.<br /><br /><span style="color: #f1c232;">> First off tell us about the timeline. When and why did you first take leave of Lost Language for other interests and when did you reconvene? </span><br /><br />Ben: I drifted away in the summer of 2005. At that time I was living in the back room of an East London record shop, amongst the racking. I'd stay up all night listening to records, mostly Techno, Italo, Minimal… I was sick of Trance, and a little sick of myself. Looking back, I was having a predictably trite, existential crisis. In around 2008, I read David Foster Wallace's 'This is Water' and David Lynch's 'Catching the Big Fish', both of which had a profound effect on me. I started meditating, binged on mysticism, and my demons left the party via the back door. Then I had to wean myself off the mysticism. Sometimes you need to be an animal. So after some fine tuning under the bonnet, I eventually returned to Lost Language in the winter of 2012..<br /><br /><span style="color: #f1c232;">> Five + years is a long sabbatical, what have you been up to in the interim?</span></span></td></tr>
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<span style="font-family: inherit;"><br style="background-color: white;" /><span style="background-color: white;">Ben: There's been an endless stream of projects. Writing, recording, acting, performing…..and loads of bands - a few of which are still going. We wrote some some great music but it never paid. I've worked in a sweet shop, an envelope factory, sold holidays, leather jackets, my body (to medical science) and most of my belongings. I did some travelling, the occasional DJ gig, got married and grew up, a bit. I'm currently learning to drive a lorry. I'm an unpredictable man in an unpredictable business, and I need to be able to look after my family if circumstances change again. </span><br style="background-color: white;" /></span><br />
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<tr><td style="margin: 0px; padding-right: 20px;"><span style="font-family: inherit;"><span style="color: #f1c232;">> What tempted you back to the Lost Language fold? </span><br /><br />Ben: Harry War Rooms (Federation's Army Medic) took me to some great UK Psy events, which piqued my interest in that side of Trance again. I'd also heard loads of great stuff while I was travelling. Full on Psy-Trance at Thai Black Moon parties, Goa in the Mushroom bars. Hardcore Techno and Psychedelic House music in Russia and Miami. All these musical experiences, including those long nights at the record shop, brought what it was that I loved (and hated) about trance music back into focus. Naturally I wanted to share it.<br /><br /><span style="color: #f1c232;">> Was there an element of 'unfinished business' about your return?</span><br /></span></td><td style="margin: 0px;" width="260px"><span style="font-family: inherit;"><img border="0" height="260" src="https://mail.google.com/mail/u/0/?ui=2&ik=dabaa24465&view=att&th=144b80d956216c9d&attid=0.3&disp=emb&zw&atsh=1" width="260" /></span></td></tr>
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<span style="font-family: inherit;"><br style="background-color: white;" /><span style="background-color: white;">Ben: Yeah, a little. On a fun, casual level. It was quite low key at first. I didn't burst through the doors - frostbitten, bedraggled, icy winds billowing behind me - announcing my return. I dipped my toes in, offered some advice here and there - but LOST123 was the turning point. That's when I stepped up to the pulpit proper. </span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;"><span style="color: #f1c232;">> The record label world is always onward moving of course. Where artistically do you see L.L. standing in and amongst the current trance label landscape? </span></span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Ben: We're non-denominational when it comes to the trance we seek out. The moods we look for can be found in so many genres. We're never chasing a fad. It's an open ended, malleable style that fans of the label understand. I cut my teeth at Hooj where a large part of our A&R appeal was putting together eclectic remix packages and that has definitely bled into the way I manage Lost Language. </span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;"><span style="color: #f1c232;">> A&R-wise, Is there a mission statement as such? </span></span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Ben: To excavate the bones of our past and wrap them in the flesh of our future. Musically, I'd like to take things further in every direction. Trance was born out of a very diverse and ambitious mix of styles. I'd like to reconnect with our past in a modern context. The term 'Lost Language' has become a self fulfilling prophecy. </span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;"><span style="color: #f1c232;">> It's kind of a 'chicken and the egg' situation to most, so clear this up for us: did the artist name Ben Lost indeed derive from your first period with Lost Language or was it something you already had when you came onboard!? </span></span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Ben: I joined Hooj just as Lost Language was starting. Sean Pollen and Red Jerry had signed a handful of releases that no longer sat comfortably amongst the deeper, more percussive singles Hooj were putting out at that time - Killahurtz, Trancesetters, Silvio Ecomo, etc… Meanwhile, I was spending every weekend listening to Trance at Gatecrasher and The Gallery, so I was especially enthusiastic about Lost Language and it's potential. It was a busy time, and they were happy for me to take the lead. Soon after that, Red Jerry named me Ben Lost in an interview and it stuck. </span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;"><span style="color: #f1c232;">> We're primarily here of course to talk about the release of 'Exhibition', the fifth in the series and your third in its mix history. When you mixed the first (with Solarstone) in 2003, what were your intentions or goals for it? </span></span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Ben: I've been fascinated by the art of set building since my teens. The early Renaissance compilations, Deeper Shades of Hooj, Gatecrasher Black, Red and Wet, The Goa Mix, Fluoro etc etc…..Like any great album, a great DJ set should be a complete 'thing', a soundtrack to a story that's unique to each listener. So yeah, I was really excited about putting a mix of mine on CD. But sadly I look back on my first Exhibition mix as being a little bit crap. Structurally at least. Still, Solarstone's mix and the overall quality of the music was great. The label's profile rose, I was booked to play a steady stream of amazing, international gigs and I learnt a lot of valuable lessons. </span><br style="background-color: white;" /></span><br />
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<tr><td style="margin: 0px; padding-right: 20px;"><span style="font-family: inherit;"><span style="color: #f1c232;">> In returning to it, what was it you wanted to 'say' with this one? </span><br /><br />Ben: That I'm excited about underground Trance music again. That it doesn't have to be a childish, lowest common denominator genre. I want Lost Language to raise the bar when it comes to pushing this deeper sound and the way it's presented. So much Trance/EDM artwork seems to consist of bland/sexist/cod-futuristic imagery or cheesy old men in white suits. It really cheapens the music. Which is why I commissioned the beautiful 'By Your Side' piece from a talented artist called Tom Bates.<br /><br /><span style="color: #f1c232;">> Since you rejoined Lost Language, there seems to have been a shift in A&R tone and direction, one that's prevalent on the album. Would this be something you'd agree with. </span><br /><br />Ben: Yes I would. No disrespect to the guys who were looking after the label in my absence but I feel there was perhaps a loss of identity in recent years. They did put out some amazing releases during my 'existential/spiritual sabbatical' though, a couple of which found their way onto Exhibition V.<br /></span></td><td style="margin: 0px;" width="260px"><span style="font-family: inherit;"><img border="0" height="369" src="https://mail.google.com/mail/u/0/?ui=2&ik=dabaa24465&view=att&th=144b80d956216c9d&attid=0.4&disp=emb&zw&atsh=1" width="260" /></span></td></tr>
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<span style="font-family: inherit;"><br style="background-color: white;" /><span style="background-color: white;"><span style="color: #f1c232;">> Not necessarily in terms of Lost Language's A&R specifically, but what do you feel are the most significant trends in trance, both of late and going forward into 2014? </span></span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Ben: There's a darker, more hypnotic sound emerging again. I can hear lots of producers reining things in, opting for a more subtle approach. A greater focus on groove and melody. Less nonsense. Less fuss. </span><br style="background-color: white;" /><br style="background-color: white;" /><span style="color: #f1c232;"><span style="background-color: white;">> Tell us a little about your process that the compilation went through, in terms of its A&R'ing and mixing? </span></span><br style="background-color: white;" /><span style="background-color: white;">Ben: Mentally, the mix had been taking shape for quite a while but I hadn't been back at the label that long, in release terms, so on more than one occasion I found myself waiting for that 'next' signing, or that 'next' remix to arrive. The missing piece, as I saw it. Then within a week, Freesoup's 'We Who Have' and Activa's remix of 'Dream Universe' landed, and at that point I knew I had enough to field a world class starting line-up, with a few on the bench. I started recording some draft mixes which I'd listen to in the car, or while I was hoovering. There were a few false starts, but I think I nailed it on the third or fourth attempt. I resisted going down the 25 tracks in an hour Ableton approach, as I wanted the mix to have an old school 'live' appeal, giving each track a chance to breathe. </span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;"><span style="color: #f1c232;">> Do you find compiling or mixing the toughest aspect of the compilation's creation? </span></span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Ben: When I'm mixing one of my 'Beyond the Black Radio' or 'Indigo Void' shows, I have literally thousands of tracks at my disposal, whereas with Exhibition V, I was choosing material that was exclusively signed to Lost Language - around 20 of which had the specific credentials I was looking for. Nailing the structure was actually quite difficult, like some kind of puzzle. </span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;"><span style="color: #f1c232;">> Will you be touring in support of the album at all? </span></span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Ben: We're putting something together, starting in India, and hopefully taking in some US dates. We'd love to hear from any promoters that want to get involved. You can get in touch via my website, social media etc. I'm also starting a night in Sheffield on </span></span><span style="background-color: white;">April 25th <span style="font-family: inherit;">alongside J00F editions resident Jon Cockle. Activa and ManMachine are also on the bill and Federation will be performing a rare live set. It's shaping up to be a very special night.</span></span><br style="background-color: white;" /><br />
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<tr><td style="margin: 0px; padding-right: 20px;"><span style="font-family: inherit;"><span style="color: #f1c232;">> There's been a lot of early buzz around the album (MIXMAG for example have just made it one of their March Albums of the Month) and there's already talk of an 'Exhibition VI'. If that comes about, do you think we'd be likely to see some Ben Lost/Federation tracks or remixes on there? </span><br /><br />Ben: I write a lot of songs but I never got into the production side of things, perhaps to the detriment of my career. My strengths are in words and melodies, hooks and riffs. I really enjoy collaborating though, so there could be a 'Ben Lost' release if I find the right person to work with. Federation is very much it's own thing. One of the most unique bands I've ever been in, and there's been a lot. We have our own label called 'Feed the Moth' which is an uncensored, unrestricted outlet for our own material. We have two releases pretty far down the pipe, both with videos, one of which features Rich Solarstone roughhousing me naked in a tub. Alongside the releases, our main focus is the live show.<br /><br /><span style="color: #f1c232;">> The album's a good kick-off for the year; what else does 2014 hold in store for you? </span><br />Ben: We're working hard to fill the diary with bookings over the coming months. I want to take this style of Trance to as many</span></td><td style="margin: 0px;" width="260px"><span style="font-family: inherit;"><img border="0" height="390" src="https://mail.google.com/mail/u/0/?ui=2&ik=dabaa24465&view=att&th=144b80d956216c9d&attid=0.5&disp=emb&zw&atsh=1" width="260" /></span></td></tr>
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<span style="font-family: inherit;"><span style="background-color: white;">places as possible. If you're a fan and you want to see me in your city, get in touch, hassle your local promoters, and we'll make it happen. 'Indigo Void', my weekly show on </span><a href="http://di.fm/" style="background-color: white;" target="_blank">DI.FM</a><span style="background-color: white;">, is going from strength to strength, and I'm confident our club night of the same name will be a huge success. Jon Cockle is coming to the end of his amazing three month 'Beyond the Black Radio' guest residency, then I'll be returning on</span><span style="background-color: white;">April 22nd</span><span style="background-color: white;">, ready to host the second season.</span><span style="background-color: white;"> </span></span><br />
<span style="font-family: inherit;"><br style="background-color: white;" /><span style="background-color: white;">That sounds plenty busy! We've looking forward to all that already! You can keep up to date with Ben's runnings through the links below!</span></span><br />
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<span style="font-family: inherit;"><a href="http://t.ymlp241.net/hwmwalaumwwualauqsazaumqehu/click.php" target="_blank"><br />www.benlost.com</a><br /><a href="http://t.ymlp241.net/hwmqanaumwwuapauqsakaumqehu/click.php" target="_blank">www.facebook.com/benlostmusic</a><br /><a href="http://t.ymlp241.net/hwmyakaumwwuafauqsazaumqehu/click.php" target="_blank">www.twitter.com/ben_lost</a><br /><a href="http://t.ymlp241.net/hwjsazaumwwuaoauqsaoaumqehu/click.php" target="_blank">www.soundcloud.com/ben-lost</a><br /><br /><a href="http://t.ymlp241.net/hwjuataumwwuafauqsataumqehu/click.php" target="_blank">www.lostlanguage.com</a><br /><a href="http://t.ymlp241.net/hwjeacaumwwuafauqsavaumqehu/click.php" target="_blank">www.soundcloud.com/lost-<wbr></wbr>language-recordings</a></span></div>

In Conversation With Ben Lost on 'Exhibition V' and his return to Lost Language

It's a pretty rare turn of events, all things considered. Whatever it might be in life, when you go, you go. Leave. Done. Dusted. Eve...

By ThinkInElectronic / Wednesday, February 12, 2014 / No comments /

EXHIBITION V - MIXED BY BEN LOST

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<span style="font-family: inherit;"><i><span style="color: #1a1a1a;">What was once Lost is now found</span></i><span style="color: #1a1a1a;">… After an
extended timeout, lasting more than a half-decade, Ben Lost has returned to the
director’s chair of Lost Language. One of trance & progressive’s most
eminent imprints, over its near 15-year label lifetime it has been the
springboard for the careers of an axiomatic list of famed producers. To mark
his retaking of its A&R reins, and a new waypoint in the label’s history,
he’s mixed the fifth episode of its hallowed 'Exhibition' mix-series.<o:p></o:p></span></span></div>
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<span style="font-family: inherit;"><span style="color: #1a1a1a;"><span style="font-family: inherit;">Ben launched the ‘Exhibition’ line during the label’s early millennial
era, quickly helming it into a singular position in the mix collections of
trance and prog fans alike. Now, almost a decade after he mixed his last one,
the prodigal one’s returned to expo the ongoing development of Lost’s musical
language. The album features tracks and mixes from array of new talent. In amongst
its progressive foothills, trance peaks and Goan inclines are tracks and
remixes from Manmachine, Ovnimoon, Superpsychics, Cosmithex and Sonic Entity,
as well as more seasoned sound shapers like Guy J, Activa and Neptune Project.
Ben has tasked many of them with remixes of the label’s vastly respected
back-catalogue, with new directions & tangents lent to tracks by Space
Manoeuvres, Miro, Barraka, Accadia and C.M.</span></span><span lang="EN-GB"> <o:p></o:p></span></span></div>
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<span style="color: #f1c232;"><b>Out Through Lost Language 10th March 2014</b><o:p></o:p></span></span></span></div>
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<span style="font-family: inherit;"><span style="color: #f1c232;"><span lang="EN-GB">Of its release, Ben says: </span><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB">“</span></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Exhibition
V’ is our new year-zero</i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="EN-GB">. A
holographic slice of who we are, where we’ve been and where we’re going. Our
collective’s heritage is rich… and it’s only going to become more so.</span></i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="EN-GB">”<span style="mso-spacerun: yes;">  </span></span></i></b></span><span lang="EN-GB"><o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Musically, Ben’s latest exhibit opens in the blackly chromatic
night-time thrall of ‘Late Reflections’, the latest from Canada’s fast-emerging
Bernie Allen. Setting its stage with a progressive depth, it segues into a new
take on Space Manoeuvres’ evergreen ‘Stage One’ courtesy of Bedrock’s Guy J.
Hot on its heels comes a tribally spin on Barraka’s ‘Song To The Siren’, with
Holland’s Jaap Ligthart immersing his rework in its ocean deep vocal.<o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Mixing fluidly, seamlessly & harmonically, he continues to churn the
progressive waters deep with Hazem Beltagui’s glacier cool treatment of Amir
Abbasi’s ‘Angelus Sine Sensu’ and Mindwave’s stunning Dub of Miro’s ‘Paradise’.<o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">As it moves out of its overture, the mix makes its first upwards gear
shift. Underground legend Taucher gets acidic on an astonishing reboot of DJ
Orion & J Shore ‘Brotherhood’. Chile’s Ovnimoon meanwhile deepens the LFO
on Miro’s ‘By Your Side’, synthesizing its hypnotizing vocals with trance-noir
tones.<o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">‘Exhibition V’s midpoint sees it open itself up to a hotbed of the
label’s new Goa trance talent. The ballistic brio of Freesoup’s 303-powered ‘We
Who Have’, the quake-inducing bass of ‘Where’s Cynthia’, Sonic Entity’s
masterful shakedown of Filteria’s ‘Perpetually Delayed Voyage’ and their own
strobelite symphony ‘Genome Evolution' each take their turn to charge the mix.<o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Lifting towards its finale, Ben angles in the third edge of Lost
Language's new triangulation. On their Third Eye Remix, Neptune Project recast
Accadia’s classic ‘Blind Visions’ as a string-swelling, Everest-like euphoric
creation. Activa meanwhile rules just as upliftingly over C.M.’s epic 'Dream
Universe’.<o:p></o:p></span></span></div>
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<span style="color: #1a1a1a;"><span style="font-family: inherit;">Across the progressive, euphoric, melodic and Goa trance strata, the
album showcases the label’s onward vision. Lost Language's fifth 'Exhibition'
opens March 10th.<o:p></o:p></span></span></div>
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<span style="color: #f1c232; font-family: inherit;">Tracklist:</span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;">01: </span><span style="font-family: inherit;">Bernie Allen: Late Reflections (Manmachine
Remix)  </span></span></div>
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</span><span style="font-family: inherit;"></span>
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<span style="font-family: inherit;"><span style="font-family: inherit;">02: </span><span style="font-family: inherit;">Space Manoeuvres: Stage One (Guy J Remix) </span></span></div>
<span style="font-family: inherit;">
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">03: </span><span style="font-family: inherit;">Barraka: Song To The Siren (Jaap Ligthart Vocal
Mix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">04: </span><span style="font-family: inherit;">Amir Abbasi: Angelus Sine Sensu (Hazem Beltagui
Remix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">05: </span><span style="font-family: inherit;">Miro: Paradise (Mindwave Dub Remix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">06: Dj Orion & J Shore: Brotherhood (Taucher Adult Mix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">07: Miro: By Your Side (Ovnimoon Remix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">08: Freesoup: We Who Have </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">09: Manmachine : Where's Cynthia? </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">10: Filteria: Perpetually Delayed Voyage (Sonic Entity Remix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">11: Sonic Entity: Genome Evolution </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">12: Superpsychics: Coheena (Cosmithex Remix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">13: Accadia : Blind Visions (Neptune Project's Third Eye Remix) </span></div>
</span><span style="font-family: inherit;"><div style="text-align: justify;">
<span style="font-family: inherit;">14: C.M: Dream Universe (Activa Remix) </span></div>
</span><br />
<div class="MsoNormal" style="text-align: justify;">
<b><span style="color: #f1c232;"><br /></span></b>
<span style="color: #f1c232;"><b>Connect:</b></span></div>
<div class="MsoNormal" style="line-height: normal; tab-stops: center 225.65pt;">
</div>
<div style="text-align: justify;">
<b><span style="color: #f1c232;"><a href="http://www.benlost.com/" style="font-family: inherit;">www.benlost.com</a><span style="font-family: inherit;">
</span></span></b></div>
<b><span style="color: #f1c232;"><span lang="EN-GB"></span><br /></span></b>
<div style="text-align: justify;">
<span lang="EN-GB" style="color: #f1c232;"><b><a href="http://www.facebook.com/benlostmusic" style="font-family: inherit;">www.facebook.com/benlostmusic</a><span style="font-family: inherit;">
</span><span style="font-family: inherit;">                                            </span></b></span></div>
<span lang="EN-GB" style="color: #f1c232;"><b>
<span style="font-family: inherit;"></span></b></span>
<div style="text-align: justify;">
<span lang="EN-GB"><span style="color: #f1c232; font-family: inherit;"><b><a href="http://www.twitter.com/ben_lost" style="font-family: inherit;">www.twitter.com/ben_lost</a><span style="font-family: inherit;"> </span></b></span></span></div>
<span lang="EN-GB"><span style="color: #f1c232; font-family: inherit;"><b>
<div style="text-align: justify;">
<a href="http://www.soundcloud.com/ben-lost" style="font-family: inherit;">www.soundcloud.com/ben-lost</a></div>
<div style="text-align: justify;">
<a href="http://www.dj.beatport.com/benlost"></a><a href="http://www.dj.beatport.com/benlost" style="font-family: inherit;">www.dj.beatport.com/benlost</a></div>
<o:p></o:p></b></span></span><br />

<br />
<div class="MsoNormal">
</div>
<div style="text-align: justify;">
<span style="color: #f1c232;"><b><br /></b></span></div>
<b><span style="color: #f1c232;"><span style="line-height: normal;"></span><br /></span></b>
<div style="text-align: justify;">
<span style="color: #f1c232; line-height: normal;"><b><a href="http://www.lostlanguage.com/" style="font-family: inherit;">www.lostlanguage.com</a><span style="font-family: inherit;"> </span></b></span></div>
<span style="color: #f1c232; line-height: normal;"><b>
<span style="font-family: inherit;"></span></b></span>
<div style="text-align: justify;">
<span style="line-height: normal;"><span style="color: #f1c232; font-family: inherit;"><a href="http://www.soundcloud.com/lost-language-recordings" style="font-family: inherit;"><b>www.soundcloud.com/lost-language-recordings</b></a></span></span></div>
<span style="color: #f1c232; line-height: normal;"><span style="font-family: inherit;">
</span></span>

EXHIBITION V - MIXED BY BEN LOST

What was once Lost is now found … After an extended timeout, lasting more than a half-decade, Ben Lost has returned to the director’s chair...

By ThinkInElectronic / Monday, March 17, 2014 / No comments /

In Conversation With Ben Lost on 'Exhibition V' and his return to Lost Language

By ThinkInElectronic / Wednesday, February 12, 2014 / No comments /

EXHIBITION V - MIXED BY BEN LOST

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